We gebruiken cookies om er zeker van te zijn dat je onze website zo goed mogelijk beleeft. Wanneer je op ok klikt ga je hiermee akkoord. Hier kun je meer lezen over ons cookie gebruik. 

Asa Jazz Studies

COMPONIST: Quinque
UITGEVERIJ: Editions BIM
PRODUCTTYPE: Boek
INSTRUMENT GROEP: Trompet, Cornet of Bugel
There is not doubt about it: good jazz technique depends not only on jazz harmonies or stylistic creative principles but also on thorough classical instrumental training. Seen in this light the following studies, if played with symphonic rhythmic precision to improve embouchure, finger agility and
€ 24,15
incl. BTW
Speciale bestelling
Wordt gewoonlijk binnen 14 dagen verzonden
Dit product kan op dit moment niet worden besteld.
Not available in your region.
Specificaties
Componist Quinque
Uitgeverij Editions BIM
Instrumentatie Trompet
Text language Engels
Producttype Boek
Instrument Groep Trompet, Cornet of Bugel
Genre Studiemateriaal
ISMN 9790207017390
No. BIMTP10
Omschrijving
There is not doubt about it: good jazz technique depends not only on jazz harmonies or stylistic creative principles but also on thorough classical instrumental training. Seen in this light the following studies, if played with symphonic rhythmic precision to improve embouchure, finger agility and range, will even though they contain no elements of style, make a valuable contribution to a player's maturity. Nonetheless, so-called academic training need not always be a matter of strict rules; it should also contain free, relaxed, improvisatory playing - for balance and amusement. At first the student will reproduce; later, in different ways, he can take the initiative. Once a sense of rhythm and interval are established, it will be time to develop an awareness of those intermediate values of rhythm, sound production and phrasing which cannot be notated, by extending and making rhythmical the melodic and harmonic lines used in "Know How" 1 (which serve here only as an outline). Standard scales such as blues scales, pentatonic scales, note sequences and chord sequences - which every player ought to be able to play in all the keys - are of course only a part of improvisation, even when played in a good harmonic sequence. But established formulas, patterns fixed in the memory and so playable at any time - these are the building bricks of jazz, of improvisation. These constantly recurring patterns, fingering sequences and rhythmical figures form the basis for impromptu playing, for freedom in expressive solo playing. Without them there can be no lively music making.
    Aan het laden
    Aan het laden