We gebruiken cookies om er zeker van te zijn dat je onze website zo goed mogelijk beleeft. Wanneer je op ok klikt ga je hiermee akkoord. Hier kun je meer lezen over ons cookie gebruik. 

La Gloria E Imeneo RV 687

Ed. critica di Alessandro Borin - Riduzione per canto e pianoforte di A. Frigé

INSTRUMENT GROUP: Zang
KOMPONIST: Antonio Vivaldi
UITGEVERIJ: Ricordi
PRODUCTTYPE: Piano-uittreksel
The present reduction derives from the critical edition of the score of La Gloria e Imeneo , published in this catalog. The opera belongs to a group of the so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed andperformed between the mid-1710s and mid- 1720s of the
€ 15,88
incl. BTW
Niet beschikbaar Beperkte voorraad Op voorraad
Gewoonlijk binnen 24 uur verzonden
Dit product kan op dit moment niet worden besteld.
Not available in your region.
Specificaties
Subtitle Ed. critica di Alessandro Borin - Riduzione per canto e pianoforte di A. Frigé
Instrument Group Zang
Komponist Antonio Vivaldi
Uitgeverij Ricordi
Instrumentatie Vocal and Piano Reduction
Moeilijkheidsgraad INTERMEDIATE
Producttype Piano-uittreksel
Style Period Baroque
Jaar van Publicatie 2016
Editor Alessandro Borin
Genre Opera en Operette
Style Baroque
ISBN 9788881920136
ISMN 9790041413808
Style Period Baroque
Series UMPC Critical Editions
Pagina's 90
No. CP 14138000
Release Date 29-6-2016
Omschrijving
The present reduction derives from the critical edition of the score of La Gloria e Imeneo, published in this catalog. The opera belongs to a group of the so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed andperformed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeedcommissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place in theambassador’s garden on the evening of 12 September 1725. This edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It includes a brief Introduction and a critical apparatus that records all the variants betweenthe autograph score and the secondary collate sources.
    Aan het laden
    Aan het laden