Orgelkonzert F op. 4/4 HWV 292
COMPONIST:
Georg Friedrich Händel
UITGEVERIJ:
Breitkopf und Härtel
PRODUCTTYPE:
set losse partijen
INSTRUMENT GROEP:
Orkest
Ton Koopman’s new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad
Specificaties
Componist | Georg Friedrich Händel |
Editor | Ton Koopmann |
Uitgeverij | Breitkopf und Härtel |
Instrumentatie | Orgel en orkest |
Producttype | set losse partijen |
Instrument Groep | Orkest |
Style Period | Baroque |
ISMN | 9790004335543 |
Style Period | Baroque |
Series | Breitkopf Urtext Edition |
Pagina's | 8 |
No. | BRKOB5384-30 |
Part {Instrument} | Wind Instruments |
Tiijdsduur | 00:17:00 |
Omschrijving
Ton Koopman’s new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. "I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary." (Ton Koopman in "Concerto") "Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes." (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.