The Grumpy Troll
COMPONIST:
Michael Forbes
UITGEVERIJ:
Editions BIM
PRODUCTTYPE:
Boek
INSTRUMENT GROEP:
Tuba
“The Grumpy Troll” is my first composition for solo, unaccompanied tuba. It comes about from my musings about how a Norwegian troll would act and sound like, especially if particularly disturbed. The opening figure sets the tone of the work with the rising minor-third interval serving as a musical
Specificaties
Componist | Michael Forbes |
Uitgeverij | Editions BIM |
Instrumentatie | Tuba [Eb or F] |
Producttype | Boek |
Instrument Groep | Tuba |
ISMN | 9790207005977 |
No. | BIMTU183 |
Tiijdsduur | 00:06:00 |
Omschrijving
“The Grumpy Troll” is my first composition for solo, unaccompanied tuba. It comes about from my musings about how a Norwegian troll would act and sound like, especially if particularly disturbed. The opening figure sets the tone of the work with the rising minor-third interval serving as a musical grunt reflecting the overall demeanor of this troll. The second section of the work portrays a more active, but still angry troll, leaping between ideas and literally arguing with itself. The third section recalls the earlier grunts, but with more fluidity and expression to the troll’s musings. Finally, the fourth section puts the troll into high pursuit of something that had originally disturbed it. You can hear the out-of-breath quality of this troll both in the tuba player’s exuberance as well as in the leaking sound of the open valve, which permeates the work. This work was meant to be a tour-de-force of technique and musical expression for the advanced tubist as well as a vehicle to demonstrate more contemporary sounds and styles to audiences in an entertaining and accessible way.
Note to the performer:
This work requires that the player removes the 4th valve slide for the entire performance of the work and uses the fingerings as suggested. One should always play the diamond shaped notes with the fourth valve incorporated and with close proximity to the printed pitch; however, if another slightly different pitch results, that is permissible: different instruments react differently. The fingerings and pitch sequences are intended specifically for each different pitched tuba version; e.g. if using an E-flat tuba, you must perform from the E-flat version.